Brooklyn Waterfront Artists Coalition announces a call for artists for In The Groove focusing on digital original album cover art. This national print exhibition seeks to celebrate the mutually inspiring, creative relationship between music and art. It recognizes the profound cultural impact and influence of the art form itself, its trailblazing history, and ever evolving visual and conceptual strategies.
Deadline: 10 Mar 2018
Entry fee: $15/one image, $5/each, up to two additional artworks
Artwork must be the copyright property of the artist and is:
- by you for your own album of music, or
- a hypothetical/conceptual album cover inspired by a band/album/song (famous or obscure), or
- a commissioned piece for an actual band with express written permission to exhibit the image.
All work must be for sale; minimum $50 (30% commission to BWAC.) Artists’ submissions to be digital artwork only.
Jurors: Sal Cataldi, NYC-based musician and publicist, leader of critically acclaimed Spaghetti Eastern Music, founder and creative director of Cataldi Public Relations. Wendi Gueorguiev, BWAC Performance Series Coordinator, exhibiting artist.
In The Groove will be on view for three seasons, from May 12th – October 28th, 2018, in the performance area of BWAC’s gallery. BWAC will print and hang accepted submissions. Eighteen thousand annual visitors pass through the BWAC Gallery in Red Hook, Brooklyn.
About Brooklyn Waterfront Artists Coalition
BWAC’s 25,000 square foot gallery is in a Civil War-era warehouse on the Red Hook waterfront. The vista of New York Harbor, spanning the Statue of Liberty to the Verrazano Bridge, is one of the best in the city. Gallery-goers enjoy the nearby restaurants, bars, IKEA, and Fairway Market.
For over 20 years, BWAC has provided support for musicians and performers, offering performance based opportunities to participate as a major feature of opening receptions and specially themed exhibitions. Performances complement ongoing programming. Some notable events have included a long-running acoustic series, Red Hook Unplugged, an exhibition of Caribbean art and music, and the staging of multiple outdoor battle-of-the-bands featuring local rock groups. Musicians and performers from around the world perform on the BWAC stage on weekends from 1-6 pm throughout each exhibition season. The art exhibitions and performances are free and open to the public.
For more information, contact firstname.lastname@example.org.
The Textile Arts Center (TAC) announces a call for artists for their Artists In Residence Cycle 10. Over the course of nine months, eight artists and designers delve into a full curriculum underscored by continuous critical dialogue. Ongoing conversations allow artists to foster greater consciousness within their practices and center their work.
Deadline: 19 Mar 2018
Residents study weaving, knitting, and surface design, along with textile history, modern craft theory, and professional development. Through balanced examination of historical and topical practices, residents develop contemporary works with a solid appreciation for common artistic heritage. Structured weekly seminars are moderated by some of today’s leading business and textile innovators. At AIR, students are able to advance and elevate their work, actively pursue their career ambitions, and share their knowledge outside of the studio walls.
Artists In Residence Cycle 10 structured weekly seminars focus on craft theory, technique, exposition, the history and conservation of textiles, and professional development. Each are designed to cultivate artistic rigor and elucidate practice. Three (3) months are spent in technical workshops exploring weaving, printing and dyeing methods, needle arts, sculpture, drawing, and more; followed by three (3) months of textile history and craft theory; concluding with three (3) months of professional development. Classes are taught by TAC staff as well as visiting instructors and professionals.
Group salon-style critiques with special guests from galleries, museums, the textile and design industries, and other working artists. A sampling of guest instructors and critics include: Sarah Scaturro (The Costume Institute), Gina Gregorio (PRATT, RISD), Pascale Gueracague (Lululemon), Grace Bonney (Design Sponge), Tara St. James (Study NY, BFDA), Sabrina Gschwandtner, Rebecca Kelly (FIT), Sarah Byrd (FIT, NYU), Annie Coggan (AIR Alumni, PRATT, SVA), Carin Kuoni (Vera List Center), Alexa Winton (Parsons), Marci McDade (Surface Design Journal), Liz Collins, Elana Herzog, Elissa Auther (MAD) Erin M Riley, Pascale Gatzen (ArtEZ), Natalia Nakazawa (EFA), Carolyn Sycles (Abrons Arts Center), and Samantha Bittman.
Artists In Residence Cycle 10 Artist Benefits
- Group exhibition, including artist talk.
- Association with a quickly growing arts organization focused on the textile and fiber community that holds classes, workshops, exhibitions, guest lectures, screenings while working with esteemed teachers, artists and designers from the textile industry and art world
- Exposure through TAC marketing and programming to include blog entries and posts featuring artists, link on TAC website to personal work and individual bios, catalogue for group show, and networking
- Teaching and development opportunities with TAC programming for adults, teens and children
- $600 worth of free classes at Textile Arts Center followed by 30% off all additional classes taken
- Relationship with a mentor
About Textile Arts Center
Textile Arts Center aspires to unite and empower the textile community and advocate for the handmade. It is a NYC-based resource facility dedicated to raising awareness and understanding of textiles through creative educational programs for children and adults. TAC aspires to unite the textile community and advocate for the handmade by providing accessible, skills-based classes that reinvigorate engagement with traditional crafts. Techniques like weaving, sewing, and dyeing are practical, connective, and process-driven. They are common denominators for designers, artists, and creative practitioners around the world. Because these activities are so widely used, they help to foster community and bring creativity back into our daily lives. They are part of our collective history and vital to our ongoing expressions of design, art, and culture.
For more information, contact email@example.com.
Smithtown Township Arts Council / Mills Pond Gallery invites artists to submit works for a juried exhibition on the theme A Summer Song. The exhibition is open to varied interpretations of the subject, from literal to far-ranging.
Deadline: 29 Mar 2018
Representational images of summer-related sights, activities, impressions, or atmosphere as well as surrealistic or abstract evocations inspired by the subject are welcome. Expressions may range from images of sun, sea, surf, and verdure to a more melancholy awareness of summer’s last gasp, a prelude to fall. Artists may also respond to the musical aspect of this call for entries. One could interpret the rhythm of the season, composing a visual image of summer’s harmonies.
Entry fee: $45 for three image entries
Awards: $750 Best in Show, $500 Second Place, $200 Third Place
Selected artists for A Summer Song will have the opportunity to exhibit in an historic gallery facility that is listed on the National Registry of Historic Places.
A Summer Song Juror
They will have the opportunity to have their art judged by Carol Strickland. She is an art critic and cultural journalist who has authored four books on art including her best-selling The Annotated Mona Lisa: A Crash Course in Art History from Prehistoric to the Present (published in a revised, updated 3rd edition in January 2018). Her introduction to architecture, The Annotated Arch: A Crash Course in the History of Architecture will be republished in a second edition in February 2018 by Echo Point Publishing as The Annotated Flying Buttress: A Crash Course in the History of Architecture. Strickland has also authored The Illustrated Timeline of Art History and The Illustrated Timeline of Western Literature.
About Smithtown Township Arts Council
Smithtown Township Arts Council operates Mills Pond Gallery in an historic Greek Revival building built in 1838. Adaptation of Mills Pond House for public use has introduced modern mechanical systems to the structure without impairing its historic integrity. Gallery lighting and handicapped access have been designed to complement the original building. Notable among the ca. 1838 Grecian details are the gold-veined marble mantelpieces, ornamental plater centres applied to the ceilings and front and rear stoops supported by wooden Doric columns.
Mills Pond house preserves the locality’s name, but departs from tradition in other respects. Its high-style Grecian design is unusual on Long Island and the hand of an accomplished architect is nearly unique at this early date. Pollard’s influence is seen in the use of imported materials: Albany boards, Carolina yellow pine, English glass, Connecticut stone, and Santo Domingan mahogany. The silvered hardware, decorative plaster, and carpeting were bought in New York City shops. William Wickham Mills died in 1865. His home descended in the family until its gift to the Town of Smithtown in 1976. Today, it is preserved for use as an arts-related facility.
By exhibiting contemporary works of art from local to national sources, Mills Pond Gallery brings art and people together to discover, enjoy, and understand the nation’s rich and diverse artistic heritage. Exhibitions reach local communities through classes, special events, and community outreach programs that focus on active and collaborative learning.
For more information, contact firstname.lastname@example.org.
New York Center for Photographic Art (NYC4PA) announces a call for artists for One. Remember the Three Dog Night song, “One is the Loneliest Number?” But is it? In this call NYC4PA is looking for those images with a single compelling focal point. It could be a person or thing that is alone in the frame or an element of a large grouping that clearly stands out.
Deadline: 14 Jan 2018
A lot filled with blue cars with a single bright red one would fit the bill, as would a portrait reminiscent of Andrew Wyeth’s “Christina’s World,” and the six foot tall teacher surrounded by his or her grade school class. Selective focus can isolate a single horse from the herd or a single pedestrian from the crowd on a city street. What about that basketball player leaping in the air for a dunk shot or the prematurely leafless tree amidst a forest of foliage?
The prizes total $3,000. There is a grand prize, three first prizes, three second prizes, three third prizes, fifteen juror’s selections, and twenty honorable mentions. Each of the first twenty-five winners have an opportunity to exhibit in a New York City gallery. NYC4PA uses Jadite Gallery in Hell’s Kitchen. The exhibit runs for two weeks. In addition, all forty-five winners are posted in a gallery on they NYC4PA website. Winning images are included in an exhibition gallery.
About New York Center for Photographic Art
New York Center for Photographic Art is an organization interesting to photographers. NYC4PA gives photographers an opportunity to participate in a call for entry with a theme. Each call for entry we offer has a different theme. Each call can include up to fifty winning images. Some photographers win with more than one image. Submissions can be as many as each artist wishes to submit. NYC4PA is one of the very few organizations that offer this to photographers. There are two live exhibits a year with the winners of two calls in each exhibit.
For more information, contact email@example.com.