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Looks Good On Paper Art Exhibition (Ellensburg, WA) – Call For Artists

Looks Good On Paper Art Exhibition (Ellensburg, WA) – Call For Artists

[Side Arts Certified Sponsored Listing] Gallery One Visual Arts Center announces a call for artists for their ninth national juried call, Looks Good on Paper. Entries of artworks that feature paper as a primary medium will be accepted from across the nation and juried by Janice LaVerne Baker and Lehuauakea for a month-long exhibition in March, 2024, in the Gallery One Main Gallery in downtown Ellensburg, Washington.

Click here for the application / registration

Enter by: 28 January 2024

Entry fee: $20 for first entry, $10 each additional entry submitted.

Examples of work that would feature paper include collage, book arts handmade paper, origami, woven or cast paper sculptures, drawings featured on paper, and video art including paper. The gallery is open to interpretations to the call.

Looks Good On Paper Artist Benefits

Artists who are accepted will be included in a month-long exhibition at Gallery One, a bustling gallery, workshop, and event space that receives ample foot traffic as a tourist destination in Central Washington state. In addition, awards totaling $800 will be distributed by the jurors as follows:

  • $300 — Most innovative work depicting paper as a medium
  • $200 – Best 2D use of paper as a medium
  • $200 – Best 3D use of paper as a medium
  • $100 — Award of merit

Artists will be considered for inclusion in group or solo exhibitions in the future.

About Gallery One Visual Arts Center

Gallery One Visual Arts Center is dedicated to the creation, exhibition, and appreciation of visual arts in Central Washington. To that end, the facilities, board of directors, and staff of Gallery One provide high-quality, innovative, and diverse visual arts exhibits; educational programs for the appreciation and skills of the arts; studios for a diverse group of resident artists; networking opportunities with business organizations and educational institutions in support of the arts; and a meeting place to foster community cohesion and arts appreciation.

In addition to rotating exhibits of contemporary art, Gallery One offers a variety of quarterly classes, an art after school program for kids, a gift store featuring regional artisans, a full ceramics studio available for classes or private rentals, inexpensive studio spaces for artists, and facility rentals for the community.

For more information, contact


The Art of Reading Exhibition (Tifton, GA) – Call For Artists

The Art of Reading Exhibition (Tifton, GA) – Call For Artists

[Sponsored Listing] Tifton Museum of Arts and Heritage announces a call for artists for The Art of Reading. This multi-media juried exhibition will celebrate the joy and importance of reading through the depiction of people of all ages engaged in the act of reading, an individual reading quietly alone, a group of children or a family enjoying reading together, or a child reading to a pet. Create whatever imagination inspires you to celebrate reading.

Acceptable media includes painting, photography, monoprint, etching, drawing, clay, wood, wire, found object, fiber, and mixed media.


Click here for the application / registration 

Deadline: 14 Jan 2022

Artist must be 18 years or older, professional or emerging. All art must be original and created by the submitting artist. No commercial, imports, or production art accepted.

The Art of Reading Artist Benefits

Artists work will be displayed in Tifton’s beautiful Museum built in 1901, which is now a staple in the Historic District of Downtown Tifton, GA. The exhibit will be promoted on Facebook, the Tifton Museum website, and in local newspaper and media. Visitors come from all over South Georgia.

The Art of Reading Prizes:

  • Best of Show: $750
  • First Place 2-Dimensional: $300
  • First Place 3-Dimensional: $300
  • Best of Show “The Book as Art Object: $300
  • Honorable Mention (up to 3 at Judges discretion): $50

About Tifton Museum of Arts and Heritage

The Tifton Museum of Arts and Heritage (TMAH) is housed in a 110-years-old architectural treasure that was originally the First Methodist Church. The building was the first brick church built in the community and it brought a refined elegance at the turn of the century to the growing rural town. Hundreds of Tiftonites, their children and grandchildren, were christened, baptized, married and memorialized in the beautiful Victorian Gothic structure, built by “Captain” Henry Harding Tift, a Connecticut Yankee, who founded the town.

Legend has it that the building was constructed with brick instead of lumber to protect it from lumbermen and turpentiners, customers and good friends of local frame saloon owners, who burned down wooden churches while they were still under construction.

The building has had close ties to the town’s cultural life from its earliest years. Regular programs were presented in the sanctuary by the Tifton Music Club and visiting musicians. Long-time members tell of soirees held for famed opera star singer Lilly Ponds and performances by violinist Romanoff, as well as the town’s own local “concert in the park” band and the church choir.

Constructed in 1900 and once hailed as “the finest church in the South,” the 3500 square-foot building’s rather simple exterior opens to reveal an expansive octagonal-shaped interior, rich with color and ornamentation. The fine-grained heart pine lumber of the interior walls and ceiling were handcrafted by ship carpenters, or joiners, retained by Captain Tift.

The vaulted ceiling is supported by massive arched buttresses, while intricate carved medallions and bull’s-eye plinth blocks on the door and window moldings serve as a counterpoint to the ceiling’s magnificent height and strength. The original bell tower, topped with an elegant brass final, is still intact.

But the true jewels of the building are the twenty-four stained and fired glass windows, which suffuse the building with light and color. Three triplet ecclesiastical windows each feature unusual designs, glass and color. All the exterior and interior doors are graced with stained glass transoms. Many of the rondels and glass décor in the windows were available only in Italy at the time the building was constructed.

For more information on the stained glass windows and the restoration process please see Cindy Hammond’s blog post Tifton Museum: A Historic Treasure Houses Art.

In 1952, the original owners vacated the building to accommodate a growing congregation and the facility was occupied by various denominations until 1985 when the Tift County Development Authority purchased it to protect it from vandals and potential demolition.

With the exception of occasional occupancy by various small church groups, the building was left empty throughout four decades, its beauty slowly giving way to age, termites and the elements.

In 1990, with leadership from the Tifton Rotary Club, a non-profit organization was formed to restore the building and to raise funds to transform it into a community cultural center. A partnership was formed with ABAC’s Arts Experiment Station (now the Arts Connection). The Arts Experiment Station wrote and received a grant from the National Endowment for the Arts for $125,000 which served as the catalyst for the County’s commitment of $250,000 in SPLOST funds to assist with the project. Ultimately, the City, County and private donors raised over $500,000 to complete the renovation.

Local architect Roy Rankin, a great grandson of Captain Tift, was the volunteer project manager, and with extensive help from unpaid City and community workers, as well as a contracted crew, the building was restored and returned to the citizens as the Tifton Museum of Arts and Heritage….a cherished architectural jewel of the City.

Re-opened and dedicated in the spring of 1997, the building today is operated by the Tifton Museum of Arts and Heritage Board of Directors and Volunteer Guild. It serves as a cultural anchor for downtown Tifton and provides regular arts, education and cultural programming to people of all ages and interests. In addition, the facility is frequently rented for weddings, receptions, and a variety of community social and civic events.

For more information, contact


Baron Book Prize (International, Online) – Call For Artists

Baron Book Prize (International, Online) – Call For Artists

[Sponsored Listing] The BARON Book Prize is an annual prize, which recognizes book projects from emerging artists and image-makers who have created projects investigating gender, sex, sexuality, and identity politics.

The prize is open to artists and image-makers working in any medium, from anywhere in the world, over the age of 18. The winner will receive the opportunity to work with BARON in publishing their book project. The winners will be announced in December 2021, and their book published as part of BARON’S summer 2022 catalogue, with global distribution.


Click here for the application / registration

Deadline: 31 Oct 2021

The Baron Book Prize 2021 is judged by an industry panel who will create a shortlist of the best submissions to decide a winner. The winner will be judged on their book’s concept and how this has influenced the rationale behind the construction of their book, outcome, and design.

Baron Book Prize Judges

  • Rut Blees Luxemburg is an artist, academic, and curator whose work has been exhibited internationally at institutions including Tate Modern, London and Centre Pompidou, Paris. Blees Luxemburg is a research fellow on the photography MA at the Royal College of Art, London and the co-founder of FILET, an exhibition space for experimental art production. In 2020, Blees Luxemburg was awarded the Honorary Fellowship of the Royal Photographic Society of the United Kingdom.
  • Mohammad Al-Hasani is the director of Vice Versa distribution. Based in Berlin, Vice Versa specializes in architecture, art, design, fashion, film, photography, and theory, with wide-ranging visibility for its programme. Vice Versa carries a carefully-curated list of publishers, including distribution for Baron in Europe.
  • Stephen Male began his career as the art director of i-D magazine. In 2008, he relocated to New York to become the art director of American Vogue. Male’s work has been featured in design annuals, books, and publications such as 100 Years of Magazine Covers by Steve Taylor and Neville Brody and Modern Magazine Design by William Owen. Male has been recognized with numerous awards including the coveted D&AD Pencil for best editorial art direction for i-D magazine.
  • Cinsy Tam is the assistant creative director and editor of BARON. Tam has worked on many of BARON’S book releases including books by Petra Collins and Bruce LaBruce and the BARON Prize for art and photography.

About Baron Books

BARON was launched in 2011 publishing books about sex, sexuality, gender, and identity politics through a fine art or fashion lens. Past books have included books by Canadian film director Bruce LaBruce, photographer Petra Collins, artist Namio Harukawa, Versace, photographer Harley Weir, and fashion photographer Tyrone Lebon. Baron’s books are stocked worldwide in 26 different markets, in concept stores, book shops, and museum stores. Many of Baron’s books are in collections, including the book collections at MoMA, NYC and The LUMA Foundation.

For more information, contact