The City of Keller announces a call for artists for the Rotating Sculpture Program 2020. In 2017, the Keller Public Arts Board implemented a rotating public art program for outdoor sculptures in the newly updated Old Town Keller area. A $1,500 honorarium is available for each piece selected by the Board for the fourth year of the program. The City of Keller invested over $4 million in improvements for the Old Town location, including the construction of a linear pedestrian promenade, addition of outdoor seating, and community areas and installation of 11 concrete sculpture pads.
Deadline: 6 Mar 2020
Old Town is home to an eclectic blend of restaurants and small businesses that attract a variety of visitors and provide great exposure for art in the area. For 2020, the Board will select up to 6 sculptures for a two-year exhibit beginning in June 2020. The artwork will be for sale for the duration of the exhibit with a 25% commission collected by the City of Keller. The selected artists will be recognized at the fourth annual Keller Art Walk on November 14, 2020.
Rotating Sculpture Program 2020 Artist Benefits
The restaurants and shops in Old Town attract a significant amount of pedestrian traffic that ensures daily exposure of the artwork to a variety of demographics. The program offers a $1500 honorarium to each selected artist and $500 to one Best in Show winner. Artists are recognized at and receive free booth space to promote and sell their work at the annual Keller Art Walk, which is hosted in the same Old Town Keller area where the sculptures are installed.
Selected artists are featured on the City’s website and social media. They will be allowed to offer their work for sale for the duration of the exhibit. The City provides and installs signage for each piece showing the artist’s name, artwork title, and a statement indicating the piece is for sale with a phone number for inquiries.
About the City of Keller
As part of a municipal government, Keller Public Arts is unique in that its programs and events are administered by the City Manager’s office and overseen by an appointed Public Arts Board. This arrangement differs from many cities that combine public art with parks and recreation. In Keller, the separation allows the program to stay truly art-focused. With a General Fund budget of less than $40,000 and no full-time staff, Keller Public Arts has developed innovative approaches to funding and coordinating its annual schedule of events, two rotating art programs, and special projects.
In 2015, the City implemented a Public Art Development fee that applies a .25% assessment to most development projects in Keller. The fee has resulted in approximately $70,000 additional annual arts revenue, allowing the volunteers on the Public Arts Board and city administrative personnel to expand Keller Public Arts into avenues that further the program’s mission of encouraging all forms of art in the community.
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The Awesome Art Prizes Spring Edition is an international competition open to beginners and professional living artists. The contest gives you a chance of winning both cash prizes and international recognition. Competition is open to 2 and 3-dimensional artworks. Photography is accepted. No video, digital, or print art accepted.
Deadline: 15 Mar 2020
The first entry is free and $30 for up to 4 artworks.
Prizes are a cash grant, cover feature on a print and online magazine, your own digital portfolio, an online exhibition, a press release, and one year opportunity for online sales. Prizes are designed to highlight, promote, and support contemporary artists.
Awesome Art Prizes Spring Edition: 40 Prize Packages
- Platinum Prize (1): $5000
- Gold Prizes (3) totaling $3000
- Silver Prizes (6) totaling $2000
- Excellency Prizes (10) totaling $1400
- Honorable Prizes (10) totaling $1000
- Merit Prizes (10) totaling $800
About Awesome Art Prizes
Awesome Art Prizes is an independent online curatorial platform. They are known for offering high-quality, high-value contests with awards. Contests are international and open to emerging and professional living artists. They understand and promote artists to art lovers, private and professional art buyers, and galleries worldwide. Their mission is to help promote artists and boost careers.
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In partnership with the City of Wauwatosa and presented by North Shore Bank, NEWaukee seeks 64 artists to participate in ART 64, a four day bracket-style painting tournament taking place in various locations and businesses.
In four rounds on June 3 – 6, 2020, artists will be paired to go head-to-head and given two hours to create a work of art on a predetermined theme on a 2’x3’ canvas. Members of the public will be invited to watch the paintings come to life and vote for their favorite paintings on the ART 64 mobile application. The artist in each pairing with the most votes will advance to the next round.
Deadline: 9 Mar 2020
A concept by NEWaukee’s Chief Idea Officer, Jeremy Fojut, the first ever ART 64 painting tournament is coming to Wauwatosa, Wisconsin on June 3 – 6, 2020.
The goal of ART 64 is to create an open art competition in Wauwatosa, Wisconsin that is live, performative, engaging and accessible for both artists and the general public. ART 64 is meant to be a platform for artists and small businesses to build and connect to new audiences.
ART 64 Artist Benefits
Participating ART 64 artists will each receive a $50 stipend, their 2’x3’ canvas per round, easel, and drop cloth. The final 32 artists will each receive $100, the final 16 artists will each receive $150, and the final eight (8) artists will each receive $500. In the last round, eight artists will compete for a $20,000 grand prize and an artist residency at Serendipity Labs in Wauwatosa to exhibit their work.
Following the tournament (June 3-6, 2020), NEWaukee will hold all paintings from the tournament for 30 days of exhibition in locations in the city of Wauwatosa. NEWaukee and ART 64 Advisory Council will determine uniform sale price for works. If sold, artists will receive 70% of sale and 30% commission will go to the City of Wauwatosa. If unsold after 30 days of exhibition, artists can claim works from NEWaukee (any shipping fees are the responsibility of the artist). If artists do not claim their artwork within 5 business days, the artist waives their right to their artwork and it will become the property of City of Wauwatosa to donate, repurpose, or discard.
NEWaukee is a social architecture agency that designs memorable in-person experiences that create a sense of belonging inside the communities and companies they work with.
NEWaukee calls their collective method “social architecture” – the conscious design of an environment that encourages the desired range of social behaviors leading toward a goal. Through programs and initiatives, NEWaukee motivates participants to look critically at the place in which they live, realize its potential, and empower folks to shape their own community.
This practice requires sincere thoughtfulness about inclusion and deep investment in network development prior to the production of a new program or initiative. The result of this style of work allows for meaningful buy-in from key constituents. Whether it’s engaging a specific demographic, attracting new employees, creating deeper engagement with constituents, or driving new and innovative ideas, NEWaukee’s unique method has a proven track record of success.
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The Science Museum of Minnesota announces a call for artists for the Artist at Pine Needles Residency for Summer 2020, a program sponsored by the St. Croix Watershed Research Station. With the vision to enhance scientific understanding through art, the St. Croix Watershed Research Station invites artists-in-residence to interact with the scientific staff and local community to further explore the intersection between art and science. Since 2001, the Artist at Pine Needles Residency has welcomed over 50 artists and writers to the banks of the St. Croix River in Marine on St. Croix, Minnesota.
Deadline: 29 Feb 2020
In addition to accepting applications from established artists, the Pine Needles Residency includes an emerging artist category to encourage and support upcoming artists with this same calling. Emerging artists show some evidence of achievement. To date, they do not have a substantial record of accomplishment and are not yet recognized as established artists by other artists, curators, critics, and arts administrators. Emerging artists will be considered in a separate pool and must be 21 years of age or older.
About St. Croix Watershed Research Station
The St. Croix Watershed Research Station is the environmental research station of the Science Museum of Minnesota. It is a private, non-profit laboratory dedicated to better understanding humanity’s relationship with our most precious resource by studying how land use, climate change, atmospheric deposition, and other factors affect aquatic systems.
The setting for the Artist at Pine Needles Residency is the James Taylor Dunn Pine Needles Cabin, located just north of the village of Marine on St. Croix, Minnesota, on the bluffs of the St. Croix River. In 2019, the artists selected were: large-scale, 2D and 3D visual artist Katherine Steichen Rosing of Madison, WI; botanical printmaker Linda Snouffer of St. Paul, MN; installation artist and sculptor Peter Krsko of Wonewoc, WI; and emerging artist, lyrical essayist and poet Kate Lucas of Minneapolis, MN.
Applications for 2020 will be accepted from writers and artists who focus on environmental or natural history topics and strive to connect the complex world between art, nature, and the sciences. As part of the program, artists will be encouraged to design an outreach project to share their work with the local community.
Artist at Pine Needles Residency Artist Benefits
The 2020 Artist at Pine Needles Residency offers artists the unique opportunity to interact and learn from freshwater paleolimnological scientists who study how lakes and rivers are changing over time and what can be done to mitigate those changes brought on by land use practices and climate change. This interaction between artists and scientists fosters a deeper understanding of the connections between their artwork, the science currently being done to protect lakes and rivers, and how they interpret that art/science interplay to the public.
Pine Needles Artists get the sole use of a historic, 3-room cabin built before World War I. This rustic, comfortable cabin includes a full bath, bed/sitting room, and kitchen. A generous enclosed porch, overlooking the river, is suitable for writing, sketching, and reflection. It is located on a 20-acre site on the bluffs of the St. Croix River, a nationally designated Wild and Scenic River. The secluded site is heavily wooded, with spring-fed streams, native wildflowers, and local wildlife.
A short walk, bike ride, or drive will bring artists to the quaint village of Marine on St. Croix, Minnesota. A coffee shop, community-run library, family-owned restaurant, art gallery, gift shop, and seasonal ice cream shop provides entertainment and home-town feel to visiting artists.
About the Science Museum of Minnesota
The Science Museum of Minnesota exists to turn on the science. Inspire learning. Inform policy. Improve lives. They envision a world in which all people have the power to use science to make lives better. The museum values collaboration, equity, and learning.
The Science Museum is a 501(c)3 non-profit organization founded in 1907. The museum’s current location on the banks of the Mississippi River in Saint Paul offers 370,000 square feet of space. It includes a 10,000-square-foot temporary exhibit gallery, five permanent galleries, acres of outdoor space, and an Imax Convertible Dome Omnitheater. They impact over a million people from around the world every year through trips to the museum, school visits, our traveling exhibitions, and Omnitheater films.
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Nelson and District Arts Council (NDAC) announce a call for artists for the Nelson International Mural Festival. Travel to the stunning mountains and lakes of the Kootenays. Up to 10 artists are chosen annually to paint large scale murals throughout the alleyways of historic downtown Nelson, BC, Canada.
Deadline: 31 Jan 2020
Cultural vibrancy in Nelson continues to flourish under the festival’s engagement of street artists, muralists, creators, and art enthusiasts joining the festival from the local, national, and international art scene. Through large scale public artworks, educational opportunities, and by animating the public sphere with reflections of local cultures, histories, and stories, the NDAC furthers and fortifies collaboration among artists, businesses, and community members. The festival is inclusive of all cultures, genders, ages, and abilities.
Walls are selected with the following considerations: accessibility for artists, size, composition, exposure, and funding availability (however funding is not necessarily a barrier). Both private and public walls are included in the festival. In the case of privately-owned walls, the building owners are given the opportunity during the application process to indicate the artistic styles they are enthusiastic about. Matches are made between artists and walls based off those suggestions. Building owners will have one opportunity to consult with the artist for a draft alteration. If a collaboration cannot be reached, the artist will still be paid their design fee. No gratuitous violence, racism, or hateful content is permitted and the mural shall not include any business signage or logos, advertising, political or religious messages.
Nelson International Mural Festival Selection Process
Artists will be selected by a 5 member arm’s length jury who represent a cross section of interests in the community (business, arts, and tourism). Their primary considerations are artistic merit of portfolio, large scale work experience, and design skills/composition. Selections will be based off of previous work and portfolios. Successful applicants will be contacted before June 15th, 2020. Due to capacity limitations, we are only able to contact successful applicants.
Selected artists will be sent a contract for perusal. Once signed, the artists will be given two weeks to provide a rough sketch, a proposed colour scheme, a bio, and a headshot. Upon receiving these items, a 10% design fee will be paid. Artists will then coordinate their painting schedule and paint/supply order with the festival coordinator. It is imperative that artists stick to the painting schedules that are agreed upon. The festival is located in a small community with limited resources that need to be booked well in advance.
Artists must be available to attend the festival opening on Friday, August 14th, 2020, and the artist panel on Sunday, August 16th, 2020. There will also be opportunities to host all ages workshops for additional fees. The painting will take place between June 15th-August 14th. Selected artists will be scheduled to paint based off of their availability and proximity to Nelson.
Nelson International Mural Festival Artist Benefits
All artists are paid fairly for their participation in the festival. All supplies and equipment are provided by the festival. Once a muralist is selected for the festival, the artist will be paid to complete a detailed drawing/design. Each artist will be compensated based on the size and scope of their mural. $2500-$3500 CAD budget per mural for artist fees, this will vary project to project. Payment will be received upon the successful and timely completion of the mural.
The Nelson International Mural Festival is unable to provide assistance with travel for the majority of our artists; however, we make every effort to assist with billeting arrangements for visiting artists.
The NDAC strives to create a barrier-free festival. They host all events at accessible public spaces and offering all events and activities free of charge. The mural festival provides a platform for all voices to be heard through public art. The festival is committed to diverse programming. They work to ensure that varied cultures are represented annually, so as to provide inspiration to all who attend, not just one group. Bringing art out of the galleries and into the streets provides everyone the chance to experience the pieces, not just those that can afford an admission ticket.
About Nelson and District Arts Council
The Nelson and District Arts Council (NDAC) is a registered non-profit organization that was formed in 1969 as the Kootenay-Columbia Arts Council.
All the Board Members are volunteers who are committed to promoting and encouraging cultural and artistic activities in the community through successfully accessing funds for projects.
NDAC has individual and group members who all participate in art and culture related activities. Members represent such disciplines as theatre, music, dance, visual arts, crafts, heritage, and writing.
NDAC presents a number of projects each year intended to foster the arts in Nelson and District. They include the Nelson ArtWalk, Hidden Creek Artist Residency, Appetite for Art, the Dance Educator’s Showcase, the Rural Artist Support Weekend, the Nelson International Mural Festival, and Bigby Place Arts Initiative.
Fostering communication, networking, and providing support to members is one of NDAC’s main objectives. In addition, members and member groups are eligible through us for small funding awards from the B.C. Arts Council.
Advocacy, representation, and education are all important in fostering greater appreciation and support of arts and culture in the Nelson area. NDAC has a seat on the Cultural Development Committee for the City of Nelson. They work toward a more coordinated arts, culture, and heritage community.
The region is famous for it’s “Kootenay Culture,” that runs through the arts, heritage, and people of the region. They are proud to support arts and culture in the Kootenays.
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Guelph Museums announces a call for artists for Doors Open After Dark 2020, celebrating Guelph’s 193rd birthday and launch Doors Open weekend, with big, bold, innovative history and art activations at and around the Civic Museum from 5 p.m. April 24 to 1 a.m. April 25. This free event aims to create opportunities to connect, explore, and engage the community with history in unique ways.
Deadline: 8 Mar 2020
Historians and artists of all disciplines are encouraged to submit proposals for activations that explore Guelph’s history and identity through themes of reconciliation, diversity, landscape, culture, innovation, and environment.
This opportunity is open to individuals, collectives, and groups from anywhere in the world. Preference will be given to residents of the City of Guelph and Wellington County. Installations will be selected through an open call process. A jury, formed by Guelph Museums, will select the featured installations.
Submissions will be assessed by the following criteria:
- Innovation and originality
- Quality of work
- Interpretation of themes
- Design and execution plan
Doors Open After Dark 2020 Artist Benefits
Chosen artists will receive an honorarium based on the CARFAC Fee Schedule at the “Other Public Places” level. Since 2017, approximately 200-300 visitors attend Doors Open After Dark each year. Artists will receive promotion through Guelph Museums’ website and social media pages to an audience of over 7,000 followers collectively.
Guelph Museums is in the process of decolonization through the reconstruction of their colonialist framework and by collaborating meaningfully with First Nations, Inuit, and Métis Peoples. The Museums are committed to the Truth and Reconciliation Commission’s Calls to Action, strive to initiate dialogues, and create safe spaces for truth telling. These guiding principles inform all activities at Guelph Museums.
Doors Open After Dark 2020 coincides with the 193rd anniversary of the “founding” of the city of Guelph – a story traditionally centered on John Galt’s arrival in Canada in 1827 to build a Scottish settlement. The story excluded the Indigenous Peoples present on this land thousands of years before Galt’s arrival. Doors Open After Dark aims to provide space for historical truths and engage meaningfully with present-day communities impacted by those histories.
About Guelph Museums
Guelph Museums consists of three heritage sites – Guelph Civic Museum, McCrae House, and Locomotive 6167 – where they explore local histories through permanent and changing exhibitions, interactive galleries, special events, and engagement activities.
The Civic Museum (the location of Doors Open After Dark) is located in the heart of downtown Guelph in the renovated Loretto Convent. Guelph Civic Museum is home to a collection of over 30,000 artifacts that bring Guelph’s past to life.
They are adjusting the way history has been portrayed at the Museums to incorporate authentic Indigenous voices, stories, and knowledge, which have traditionally been sidelined in favour of colonial narratives. Guelph Museums considers truth and reconciliation fundamental in upholding its mandate to be a community museum that makes a difference, improving the lives of residents and visitors to the City of Guelph.
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Search for artists to develop Mother Cabrini Memorial now open. To be placed in Battery Park City’s South Cove. The memorial honors the legacy of Mother Cabrini, who dedicated her life to serving her community and those in need.
New York State Governor Andrew M. Cuomo announced the Mother Cabrini Memorial will be placed in Battery Park City’s South Cove in direct view of the Statue of Liberty and Ellis Island. The Mother Cabrini Memorial Commission has begun its search for artists who will design and execute the Memorial honoring the legacy of Mother Cabrini. Mother Cabrini founded dozens of institutions that served the less fortunate, including educational organizations and programs to support her fellow Italian-Americans who immigrated to the United States.
Deadline: 31 Jan 2020
“This memorial will honor the legacy of Mother Cabrini – a great New Yorker and Italian-American – and the Commission chose a site that perfectly symbolizes her commitment to helping new Americans settle in the United States,” Governor Cuomo said. “We want this memorial to pay tribute to the charity and goodwill she spread to countless others in her lifetime, and I look forward to seeing the designs that the artists propose to capture that spirit of her generosity.”
The Mother Cabrini Memorial Commission will review and select finalists from the submitted proposals. They will recommend proposals to the Governor for his final selection.
Mother Cabrini Memorial Artist Benefits
The budget for design and fabrication of the Memorial artwork is up to $750,000, which includes an artist fee of up to, but not greater than, 20% of the total project budget cost. The total project cost must include delivery to the site and installation.
As part of this fee, the selected artist will be required to submit a final budget, produce completed designs, select a fabricator (if not already part of the team), and oversee the fabrication and installation of the artwork as well as guide any necessary landscape restoration or other treatments required at the site, two weeks after the award notification. The staff from the Battery Park City Authority and Office of General Services will be available to provide their technical expertise and site-specific knowledge in support of the implementation of this project.
About the State of New York Governor Cuomo
Andrew M. Cuomo is the 56th Governor of New York, having assumed office on January 1, 2011. Throughout his entire life, Andrew Cuomo has had the same values and the same principles; he has not only believed in those values and principles, but he has developed the skills to fight for them – and to win.
As Governor, Andrew Cuomo has fought for social, racial and economic justice for all New Yorkers.
Under his leadership, New York passed marriage equality, a $15 minimum wage, the strongest paid family leave program in the nation, the strongest gun safety laws in the nation, equal rights for women, greater protections for immigrants, the largest investment in education in state history, cut taxes for the middle class, implemented a 2 percent property tax cap, put more New Yorkers to work than ever before, and became the first state in the nation to offer free college tuition for middle-class families. He also got the state building again – taking on projects that had been stalled for decades and using union labor every step of the way.
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Residency 108 announces a call for artists for the Residency 108 Spring 2020 Session, which will take place April 19th – May 17th, 2020. Two four week-long residencies are offered each year, one during the month of October and one in May. Residency 108 invites emerging and established artists, writers and thinkers of all disciplines to immerse themselves in their creative practice. They welcome those who work with nature, ecology, and the installation of temporary outdoor land-art works. The residency is free apart from the cost of travel and material expenses which must be assumed by the individual.
Deadline: 11 Jan 2020
The application is blind; therefore, Residency 108 welcomes any and all artists of diverse backgrounds. Applicants will be notified by or before February 1st.
Artists of any age from any country may apply. Residency 108 accepts solo artists and collaborating teams of up to three people. They are interested in applicants whose practice involves a defined engagement with landscape and ecology, or projects that employ historical or first-hand research of the 108 site. Please have your statement reflect this intention.
Residency 108 Spring 2020 Session Artist Benefits
The program accommodates three artists at a time. Each resident is provided with a room, working facilities, and a weekly stipend for food. Participants are responsible for cooking their own meals. The residency is located in a remote area. There is no public transportation in the area. Residency 108 does not have a vehicle available for resident use apart from a bike. However, they provide weekly trips to shop for supplies and food. Each resident will be asked to present their work during the residency. Weekly critiques are held as a group and sometimes with a visiting critic.
About Residency 108
Residency 108 is a rural residency program with a focus on landscape and ecology. They program is unique in that it invites artists to engage with a specific site, 108 acres of pastoral land which was used as a horse farm in the last century. The property features rolling hills, mowed paths, meadows, densely wooded forests, wetlands with a few ponds of varying size, and a seasonal stream. In addition to these ecosystems, a variety of native plant species host habitats for birds, reptiles, and amphibians. The program is ideal for artists who wish to engage with the landscape and prefer isolation to interaction. If you require constant contact with civilization this may not be the program for you.
For more information, contact firstname.lastname@example.org.
Argyle Fine Art announces a call for artists for the 16th annual Pre-Shrunk Art Show. It’s the biggest “small” show of the year! The much loved annual group show asks artists to create small works on 4”x5” surfaces. Argyle encourages submissions from both established and emerging artists in their preferred mediums and all ages of artists.
Deadline: 4 Jan 2020
Works must be on a 4×5” surface. Pieces that do not measure 4×5” will not be considered. Do not use the thin canvas or masonite boards. They are not easily wall mountable for the buyer and tend not to sell as well as other surfaces in the show. If you are sculpting the base of your sculpture must be 4×5”, but there is no height limit. Artists may submit a maximum of 5 pieces.
Do not attach hanging devices. The gallery will take care of this for continuity. If you are working on paper, it must be archival and mounted on a sturdy 4×5” surface that can be hung on the wall. Works done with materials such as charcoal and pastels must be fixed to protect the work. Submissions must be new and not previously shown.
If the jury selects your work, then you will be notified by phone or email the following week. You will then be required to bring the work in person or by mail. You will be responsible to ship your work.
Pieces that are selected for this year’s exhibition will be priced at $175 each, with standard 50% commission. Keep this price in mind when creating your pieces.
Show opens to the public on Friday, January 24th from 7-9 PM.
Pre-Shrunk Art Show Artist Benefits
Chosen artists will benefit in having their art seen and purchased/collected by our large customer base in person as well as online. Argyle will promote each artist’s work throughout the duration of the show on their blog and social media sites. The show will encourage artists to work small. Argyle encourages artists to connect with the others that will be selected for the show. This exhibit has a sense of community. It fosters new relationships with artists and the gallery. In fact, the gallery has continued to work with many of the artists discovered from this exhibit after the show has ended.
Argyle Fine Art
Argyle Fine Art is unique in Halifax as it’s the only gallery with a strong focus on emerging talent. It is very involved with the community at large.
Argyle Fine Art opened it’s doors on Argyle Street in Halifax, Nova Scotia in July 2000. The gallery has changed since then, with the main focus being on emerging to mid-career artists from Atlantic Canada. They have been referred to as one of Halifax’s most progressive galleries and named Best Gallery by The Coast year after year. They pride themselves in presenting art in a venue that is inviting and not pretentious. Art is for everyone.
Whether you are a first time buyer or a seasoned collector, Argyle Fine Art represents a unique variety of contemporary art by established and emerging Canadian artists. Selection includes painting, drawing, limited edition prints, fibre, sculpture, and photography.
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The Fondazione Internazionale per la Scultura announces a call for artists for Studio Scholarships 2021 for artists who are dedicated to three-dimensional work. Length of stay: beginning of May to the end of October. Five artists will be selected by the jury to live and work at the Centro Internazionale di Scultura (CIS). Each scholarship holder will have an apartment in the artists’ house which is located in the village centre of Peccia, Switzerland. There are six residential units in this house. Each unit has its own shower/toilet and a small kitchenette. The house has a large kitchen and dining area for communal use. The scholarship holders are expected to cater for themselves. Internet connection is available: WLAN.
Deadline: 31 Mar 2020
There are five studios available. These are usually awarded only once. The studios are designed as autonomous working units. The scholarship holders must be willing and capable of working independently with sculpting materials. In line with the purpose of the Foundation, the marble of Peccia is the main work material, but all other stones and other materials such as wood, metal, plaster, clay, and paper can also be used. There are no assistants or other workers available to help with the projects.
After their stay, the scholarship holders may become members of the Artistic Committee. They are eligible in the awarding of the studios, together with the Artistic Committee members and the jury. As a rule, one former scholarship holder is elected to become a member of the jury.
Professional 3-D artists may apply for a studio scholarship after completion of their studies at a recognized university/academy. Recommended are 1-2 years professional experience and exhibitions of their work. Three-dimensional artists with no formal education may apply if they have been working as artists for at least five years and have exhibited their works publicly (in galleries, art spaces, museums) or have been able to exhibit three of their works in a public space.
Studio Scholarships 2021 Artist Benefits
The scholarship is CHF 1500 per month. The artists will have at their disposal a personal studio, a shared work area with a 20-ton crane and three workshops equipped with all the necessary tools and materials for work with stone (marble), wood, and metal. They will live in individual apartments in the artists’ house which is located in the village centre of Peccia.
The works created in Peccia are subject to a commission of 30%. If an artist is able to sell one of his/her works created in Peccia, 30% of the proceeds will go to the Centro (Artists’ Solidarity Contribution).
About the International Centre for Sculpture
Since the dawn of human history, men and women have shaped everyday objects into special forms. In so doing, they have left behind traces of their own lives and the world of their imagination. All cultures known to us, on any of our continents, have thus created sculptures in which past, present, and future are intertwined in forms of everlasting beauty. They will continue to generate significant expressions of mankind’s own perceptions in the future.
As part of our wholehearted commitment to this tradition, CIS strongly believes in the potential for development that is offered by three-dimensional art. With the aim of promoting the artists working in the field, CIS is committed to the creation of the Centre as a place where this tradition is developed and will be celebrated further in the years to come.
For more information, contact firstname.lastname@example.org.