Ashley Verrill is a new Side Arts Certified Visual Artist from Pensacola, FL.
Meet Ashley, the featured artist behind “Art by Ashley Verrill.”
Ashley holds a degree in Fine Arts from Buffalo State College. Her wide-range portfolio consists of figure drawing, acrylic and oil painting, jewelry, pottery, and wood working. Since graduating, Ashley has stuck to what she loves most: painting. She is fascinated by the human figure and using color as a form of expression. She loves the way emotion can be captured with simple lines and chromatic intensity. Ashley strives to captivate her audience with unexpected use of pigmentation, ability to emit feeling through her work, and meticulous attention to detail.
Each piece is different because it means something to her. Ashley has experienced quite a bit in her life thus far. She uses her experiences as her driver to create. In the last decade, she founded her own business, lived abroad, mastered a second language, and embraced another culture’s way of life. She has traveled, loved, and learned. All of this plays a role in her artistic vision.
To see more work, visit artbyashleyverrill.com
Miguel Angel Castrillo is a new Side Arts Certified Visual Artist from Santa Pola, Spain.
My name is Miguel Angel Castrillo. I was born in San Sebastian, Spain in 1973. My family names are Castrillo Fernandez. Sotoko is my stage name. Since I was a child I have always been interested in arts and very specially in painting.
It was as a teenager on a trip to Italy after the death of my father who was the first to get me to draw that I could see and enjoy among others some of Sandro Boticelli´s works. I knew then that someday I would devote a lot of my time to painting as a professional.
After trying various schools of Art and Design, both in Spain and the United Kingdom, I finally finished my studies at the Massana School of Art in the city of Barcelona, Spain, graduating as a top Technician of Plastic Arts and Design in Applied Mural Arts in 2003. I have shown my works in cities such as London, Barcelona Port, and Valladolid.
I have used different techniques ranging from drawing in all its forms to mural fresco paintings as well as graffito , stucco, and even altar pieces and stained glass. I am familiar with acrylic painting, watercolors, and collage. However, it is oil paintings I feel most comfortable working with by using very thin brushwork to create compositions that address various topics, usually in series which I very much enjoy to show accompanied by short texts. These works could be erotic, religious, or of other nature.
Among the places where my work can be permanently seen and available to be enjoyed are at the San Joaquín y Santa Ana Museum in the Spanish city of Valladolid.
To see more work by Miguel Angel Castrillo, visit artsotoko.blogspot.com
Traci Meitzler is a new Side Arts Certified Visual Artist from Gilbertsville, PA.
As an artist, I work hard to develop art that speaks both to me and to others about my emotions and frame of mind while creating. Each piece has a story, moment in time, and feeling. The direction at the start of a project can be monumentally different compared to the conclusion. Documenting that process is the best way to see that evolution. I take many photos throughout the process and keep a diary on what has inspired me or music I’ve been listening to. Reading what I’ve written always gives me a baseline to come back to in regard to idea consistency.
I would classify my style as chaotic architecture. I enjoy the juxtaposition of straight edges with organic curves. I believe that a painting or any design cannot have just one element, but that each exists in harmony because of the other. I wouldn’t appreciate the soft curves or winding swirls if the rigid, inflexible boundaries weren’t there to limit their reach, and vice versa.
I work mostly in acrylic mediums along with other materials such as marker, charcoal, spray paint, and modeling paste. I like to add non-standard items to create texture such as clear acrylic sheets, textured wall paper, and coarse sand. I enjoy ending up with a painting that is half two dimensional and half three dimensional. It’s difficult for the viewer or, in fact, myself to resist touching it. An entire shelf just littered with found items, cardboard, fabrics, and hardware are patiently waiting to become part of a new project.
To see more work by Traci Meitzler, visit mad7studio.com
Barbara Krupp is a new Side Arts Certified Visual Artist from Vero Beach, FL.
Barbara trained to be an x-ray technician. From that time on, as T.S. Eliot wrote in his “Whispers of Immortality,” I have seen “the skull beneath the skin.”
The structure of the painting is very important to her. In her most recent series, she has, in a manner of speaking, allowed the bones of the painting, both compositionally and metaphorically, become the painting’s’ subject matter.
Through Georgia O’Keeffe, whose early 1940’s series of pelvic bones enclosed spaces that later in the decade became forms themselves, Barbara found areas of interest in her own landscape and floral abstractions to be the atmospheric spaces between forms. She came to realize that the significance in her paintings was not in the forms, but in the spaces in between them.
In her “Abstract Stories” series, those atmospheric spaces became increasing bounded by spontaneously drawn shapes. Painted in shades of ochre-tinted white, the color of bone, the enclosed spaces began to take on shapes that suggested something as intimate and normally hidden as bone, organic shapes that suggested body parts unveiled here and there as though to tease a lover.
T.S. Eliot ends his poem with, ”Our lot crawls between dry bones to keep our metaphysics warm.” Barbara explores the interface between passion and the intellect, pulsing tissue and desiccated bone. Our lot may be to crawl through our mortal span but, like the poet, we also sing.
To see more work by Barbara Krupp, visit barbarakrupp.com
Fabrizia Folchitto is a new Side Arts Certified Visual Artist from Rome, Italy.
I currently live and work in Italy and have a scientific background. I am mostly self-taught and interested in many different art forms. Painting attracts me, especially the research for heterogeneous, extravagant, and ironic materials applied to canvas.
I started recently with pen drawing. I then focused on the artworks of Maraval and dedicated myself to mixed-media canvas painting using acrylics, chalk, paper, and lime, thus enriching my paintings with strong materials and geometric effects.
My personal style is evolving. I am always finding original ideas, experimenting, and measuring myself with the abstract, synthesizing materials and colors for pleasant, new impressions.
My artworks are incomprehensible and full of deep significance. I always do what I am not able to do to learn how to do it. I believe I have many talents, all proudly wasted.
To see more work by Fabrizia Folchitto, visit saatchiart.com/fabfol